What You'll be Able to Study From Invoice Gates About How To Send Nudes
What You'll be Able to Study From Invoice Gates About How To Send Nudes
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How was your learning process ??? What will be photos for you right now ???
My first real photographic experience was back in high school when I borrowed a friend's camera so I could take pictures of my girlfriend. I didn't buy my very first "real" camera (a Pentax K1000) until 1991. Somehow I only organised onto that attention. I managed to convince her to pose nude for me and I happened to take a few photos (largely by accident) that were quite beautiful and which I treasured for years.
2 - Glamour and nude photography is one of the most interesting subjects
of photography. What is glamour and nude picture taking for you ???
What Is Nudes
I really like the way girls look and I think they appear best without their clothes on and posed enticingly! When you look at one of those pictures in Playboy you don't realize that you're looking at a huge amount of work, very fancy and sophisticated lighting, and tons of post-processing. When I was younger I was always a big fan of "girly art" (Frank Frazetta, Playboy, Vargas, Petty, etc) and it seemed pretty natural to want to try to make some of my own. When I started I thought, "how hard can it be?" and then I discovered that glamour and nudes are just like everything else - it's easy to do it badly. It just looks like a natural photo of a pretty girl without clothes on, but it's actually a highly constructed and comasked production. And it's hard to do it well enough that it looks like you made it easy.
Why Do People Send Nudes
The word "glamour" in the old English means "casting a spell of seduction or enchantment." The Irish used to say that the faeries would cast a "glamour" over a person and they would see the world through an imaginary veil that deceived them with its beauty. You're trying to create an impression of something that isn't really there. If I can make them think an image was shot with natural light out of doors and it was shot in a parking garage with a flashlight, I've gotten the last laugh. So I think the term "glamour" is perfect for the kind of photography many of us do. For me part of the thrill will be to fool my viewer.
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3 - Why do you think amateur and professional photographers and general
peoples are so seduced by the beauty of nude and glamour photography ???
Why this mysterious seduction ??? Why will be it furthermore consequently discussed ???
Well, I think most people don't mind looking at an attractive member of their preferred sex, displayed to seduce and tease. We like sex. We're made that way. I remember someone once said that "the first use of any new medium is to exchange pornography." Glamour nudes are more sophisticated than pornography but it's just a matter of degree. I believe Fox Talbott's first photos were of a building and his second and third had been of a nude woman. There may be some cultural persons who, for religious or cultural reasons, can't handle seeing that, but if you look at prehistoric cave paintings, they present unclothed folks and intimacy.
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The topic is hotly debated because a lot of people want to believe that when you take an intelligent, interesting person and turn them into an erotic image, that you've somehow reduced them in scope and denied them some of their interestingness. Really, it comes down to price conclusions - I recognize which of my designs happen to be good and exciting, I know which art provokes me to great thoughts and which art puts me to sleep. One hopes that other people like your art, but only a very insecure artist can worry about being judged. Nobody can judge your art but yourself. Art fascinates me because it's one area where the artist's desire to express themself is absolute. It would be as if I felt someone was somehow inferior if they liked one kind of music more than another. Some of us do both. Some of the smartest, most interesting and cultured people I learn would rather look at a copy of Playboy than go to an opera. That's just as ridiculous. I believe the complete disputes is definitely stupid. Other people want to see art used for purposes that ennoble and elevate the human spirit. It's just a question of personal preference but a lot of people prefer to see their preferences respected as somehow superior.
4 - You often shoot in color and then turn the images into BW. ?? You say colors distract you when composing. ?? Notify us a little even more about your respect with the BW image resolution and images ? Is there any other reason to do it, any aesthetics, complex or psychological factors conceivably ?
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I started off shooting in BW because it was easier for me to develop and process it myself. We look at the same rock and it's completely uninteresting to me. My wife, for example, shoots in color. She'll see a rock with green moss in all kinds of delicate shades of greens and blues and she gets very attracted by the combinations of colors. But then I found that the style matched what I like - the simpler tonal range of grey scale is somehow easier for me to work with. That's just a personal preference. I don't know why. I find color distracting - if I appearance through the viewfinder and look at a field with a single bright red object in the middle, for some reason the color winds up immediately dominating my attention and I find up that the pictures I take become all about the combinations of contrasting colors in the viewfinder and not much else.
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5 - Is BW photography more difficult to hand, process and compose than color photography ??? Why do so many amateur and pro photographers say that BW photography is more difficult than coloring ???
I think that's all nonsense. You like what you like and We like what I like and if we kind of like the same thing you might enjoy my art and then we share a private moment of happiness and communication. Some professional photographers would say "dark-colored and white is better to coloring artistically!" and I'd respond by saying that "If that's true, than grilling with charcoal on pieces of paper must turn out to be exceptional to dark-colored and whitened, right? It's even more minimalist and monochromatic and so on and so forth." But it's a pointless discussion. A lot of photographers say "X is hard" or "Y takes more skill than X" but usually what they mean is "I like Y and because I like it, I have always been proceeding to seem down on the folks who like something else. " I applied to participate found in this discussion a finished great deal on rec.photo in the early days of USENET.
(My first platinum print. It's not very good but it wasn't very hard, either)
BW is easier to print than color, for me, because I know how! I don't have color printing equipment and chemwill betry, and I learned never. I acquired a serious eye-opening feel about this the different evening. I like the glimpse of platinum eagle styles only. So when a lot of photographers say something is "artistically challenging" you need to understand that that is entirely in the context of what THEY KNOW HOW TO DO! Thus I ordered a Bostick and Sullivan pt/ptd kit and picked an old contrasty negative and speed-read the directions and tried a print. I don't know yet. But it arrived out quite effectively! Or maybe it's harder and I just had beginner's luck. I expected a disaster. So, now I wonder how many of those people who declare platinum is hard are just saying it because they've never tried, or they just want to look and feel that what they happen to be doing is somehow more important and valuable. For years and a long time I have wanted to try doing platinum/palladium printing.
6 - What kind of subjects except nude and glamour you like to shot ??? Why ???
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I also really enjoy shooting still-lifes of machines. We have no idea why. I used to go to the junk yard and buy old car parts - gears and pistons and so forth - and light and photograph them.
I have no idea why.
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7 - What do you think of the quick advance of digital photography ??? Is film dead ???
I personally would rather shoot film than digital. We have an 8x10 view camera and if film dies I'll start making and exposing my own glass plate negatives! ! Actually, I think that would be fun. I suspect film will eventually become a craft for the fine artist - just like alternative processes like Cyanotype and Bromoil prints own become. I used to dislike digital prints - I still don't make prints of my digital images because I don't like how the quality compares to a fine print on silver paper - but that will change eventually, too. No matter what I'll be able to find something I can work with. But a whole lot of men and women would alternatively capture electronic digital than motion picture. Either is fine. The differences in quality are getting tiny increasingly. That's also fine with me.
I originally got my digital camera as a kind of fancy light-meter and composition aid. We just can't understand how someone can complain with all the wonderful tools and possibilities that we have available to us. Photoshop opens up new possibilities, too! When I bought my first good digital SLR I discovered that autofocus and autoexposure really open up new possibilities - fast-moving objects and difficult lighting.
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8 - If you would have an unique chance to shot a great uber-model, simply like Gisele Bundschen or Naomi Campbel, with no rush, not any commercial purposes, and special prospect to opportunity a superb kind for fun merely ... and you could just use one equipament (body and one lens), or your DSLR with a 512MB card (no download allowed during the photo session) or your old Pentax K1000 with 25 roll of NW film and 25 rolls of BW infrared ... What equip would you use and why ? ?? Why not using the second choice ? ?? ?? Is the equipment determinant for great shots ?
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First off, I'd want to shoot Christy Turlington. I actually tried to get her to pose for me back in the early 1990's. That didn't work! In retrospect, that's a good thing because the kind of work I was capable of doing at that time would have wasted the opportunity. That's been a dream of mine!
(Christy Turlington, photographed by Richard Avedon)
So, assuming We got the chance, and no rush, I'd want to shoot everything possible! Why simply not? I've found wonderful things I liked in every one of those formats, even the video - you ever notice that some beautiful women are even more beautiful when they're moving? In other words, I tried everything! Any photographer who says that only one format is best is saying more about his limitations than he is saying about the limitations of other platforms. When I did my shoot of Jewel Shepard, I shot video, 6x6cm infrare usuallyd and Tmax, 8x10, and 35mm HIE infrared, 8x10 polaroid, and some low-res have been got by me images with a little prosumer digicam.
But, to answer your question: if I had to limit myself, I'd want my Hasselblad with my 150mm lens, a red filter, and Konica infrared film. If I were firing outside the house in normal lighting, I'd want my Pentax and HIE, and if I were doing grab shots (say, of her walking down the street, naked, in New York) I'd wish my DSLR with the autofocus, autoexposure, and rapid "film advance." For two reasons: 1) Because that's the gear I know best and I'd have the best chance of being happy with the results and 2) Because Christy has beautiful tan skin that would look glorious in Konica infrared, and her black head of hair with brownish streaks would in addition appear great. That's assuming I was shooting in a studio with controlled lighting!
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I think that one of the reasons that it's tragic when photographers refuse to try anything except for the one thing they like, is because they ignore the fact that in each situation there may be a piece of gear that is best for that one shot.
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9 - A lot of amateur photographer don´t have idea about how to direct models in a nude or glamour photo session ? ?? ?? How do you carry out that ? ?? What is model rightion anyway ? ?? What stunts and strategies you could tutor ?
How To Find Nudes
OK, We will show you my excellent key technique. But as soon as the key is certainly out, next everyone shall realize how really easy it is and nobody will be impressed simply by my work any further! :) So don't spread it around too much.
Ask yourself - "why am I shooting nude pictures of this model?" Probably the answer will be "Because she looks good!" So, you've already learned something really important. But once you've answered that question you can ask, "what are some positions in which my favorite body part looks best?" Pose her in that kind of position and then work from there - put the parts you like in the light, the parts you don't in the shadow, or hide them, or whatever. Posing a model is sometimes as easy as telling her to "just move around a bit" or "maybe do some stretches, bends, and kneeling stretches" and then see what looks good. Some guys like breasts, some butts, some legs - whatever works for you! She looks good - that's what you're here to do: capture that look and that leads the next question: "what about her looks good to you?" Different guys are going to have different things about a woma newn that they like to look at! Take a normal body position and accentuate it.
What Are Nudes?
Another good technique is to look at other people's photos or paintings and think about what you like about them! After that you can commence removing factors you like and generating your personal do the job from them. You'll learn about yourself, as well. After you start collecting images you like these patterns jump out at you. You don't need to copy someone else's work but if you look around at all the photos on the 'net, and start asking yourself "what do I like about thwill be?" then you'll master a tremendous amount. I generally liked hot pics of females kneeling with their butts in the clean weather, their boxes down and their ribs and chests highlighted.
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One of my photographer friends introduced me to a great game we used to play. Some clips will be seriously genuinely difficult to body out! You learn how to tell what was done with a softbox or an umbrella by the shape of the highlights, and so on. It's great practice! Others, you look closely and you can see catch-lights in the models' eyes, shadows on the floor, and reflections on shiny objects and go "oho!" that's neat! One of us would send the other a photograph, and the person who got the photograph had to look at it, and figure out how the photographer who shot it lit the scene.
How To Send Nudes
When I started out with shooting erotic nudes, It was discovered by me was hard to get models to visualize the poses that I wanted from them. Consequently I invested a whole lot of period seeking for and making out photographs that revealed moves I liked. I still keep a stack of printouts in my travel photo kit in case I run out of ideas. Typically I can only appear through it for a very few secs and enthusiasm will strike. My favorite place for coming up with ideas was by searching the Japanese erotic art sites and garage kit sites. Check out Hobbyfan or Cody's Coop and look at the resin anime kits and look at some of the wonderful poses that the Japanese come up with. That way I'd just show the model a photo and say "like this!" She'd interpret the pose in her own way because everyone is different - no 2 photos ever come out exactly the same.
I had one friend who was photographically stuck in a rut who wanted to start doing nudes. He didn't listen to me, but it was considered by me was a good idea! But he was worried about posing his models and learning how to light them. I advised him to proceed purchase a Barbie Doll and spend some best suited period posing her, lighting her, and doing some macro photos of her.
Now that I have more experience I possess found that it's very easy to come up with ideas on the fly. This is a great way of helping the model relax; nothing is funnier than seeing a 40-year-old photographer trying to stand like a sexy girl. Showing some willingness to relax and be funny about yourself really keeps the mood at a shoot positive and fun. As an ice-breaker I will commonly present the version the cause that I prefer her to strike!
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